یادگیری آسان زبان انگلیسی

For an instant he stood, resplendent, with the leisurely air of a boulevardier concocting in his mind the route for his evening pleasures. And then he turned down the gay, bright street with the easy and graceful tread of a millionaire. But in the instant that he had paused the wisest and keenest eyes in the city had enveloped him in their field of vision. A stout man with grey eyes picked two of his friends with a lift of his eyebrows from the row of loungers in front of the hotel. 'The juiciest jay I've seen in six months,' said the man with grey eyes. 'Come along.' It was half-past eleven when a man galloped into the West Forty-seventh Street police-station with the story of his wrongs. 'Nine hundred and fifty dollars,' he gasped, 'all my share of grandmother's farm.' The desk sergeant wrung from him the name Jabez Bulltongue, of Locust Valley Farm, Ulster County, and then began to take descriptions of the strong-arm gentlemen. When Conant went to see the editor about the fate of his poem, he was received over the head of the office boy into the inner office that is decorated with the statuettes by Rodin and J . G. Brown. 'When I read the first line of "The Doe and the Brook," ' said the editor, 'I knew it to be the work of one whose life has been heart to heart with nature. The finished art of the line did not blind me to that fact. To use a somewhat homely comparison, it was as if a wild, free child of the woods and fields were to don the garb of fashion and walk down Broadway. Beneath the apparel the man would show.' 'Thanks,' said Conant. 'I suppose the cheque will be round on Thursday, as usual.' The morals of this story have somehow gotten mixed. You can take your choice of 'Stay on the Farm' or 'Don't write Poetry.'

'Mister,' said the rural one. 'I've heard of places in this here town where a fellow could have a good game of old sledge or peg a card at keno. I got $950 in this valise, and I come down from old Ulster to see the sights. Know where a fellow could get action on about $9 or $10? I'm goin' to have some sport, and then maybe I'll buy out a business of some kind.' The steerer looked pained, and investigated a white speck on his left forefinger nail. 'Cheese it, old man,' he murmured reproachfully. 'The Central Office must be bughouse to send you out looking like such a gillie. You couldn't get within two blocks of a sidewalk crap game in them Tony Pastor props. The recent Mr. Scotty from Death Valley has got you beat a crosstown block in the way of Elizabethan scenery and mechanical accessories. Let it be skiddoo for yours. Nay, I know of no gilded halls where one may bet a patrol wagon on the ace.' Rebuffed again by the great city that is so swift to detect artificialities, Haylocks sat upon the kerb and presented his thoughts to hold a conference. 'It's my clothes,' said he; 'durned if it ain't. They think I'm a hayseed and won't have nothin' to do with me. Nobody never made fun of this hat in Ulster County. I guess if you want folks to notice you in New York you must dress up like they do.' So Haylocks went shopping in the bazaars where men spake through their noses and rubbed their hands and ran the tape line ecstatically over the bulge in his inside pocket where reposed a red nubbin of corn with an even number of rows. And messengers bearing parcels and boxes streamed to his hotel on Broadway within the lights of Long Acre. At nine o'clock in the evening one descended to the sidewalk whom Ulster County would have forsworn. Bright tan were his shoes; his hat the latest block. His light grey trousers were deeply creased; a gay blue silk handkerchief flapped from the breast pocket of his elegant English walking-coat. His collar might have graced a laundry window; his blond hair was trimmed close; the wisp of hay was gone.

'The queer, I guess,' said Harry. 'Or else he's one of Jerome's men. Or some guy with a new graft. He's too much hayseed. Maybe that his - I wonder now - oh no, it couldn't have been real money.' Haylocks wandered on. Thirst probably assailed him again, for he dived into a dark groggery on a side-street and bought beer. Several sinister fellows hung upon one end of the bar. At first sight of him their eyes brightened; but when his insistent and exaggerated rusticity became apparent their expressions changed to wary suspicion. Haylocks swung his valise across the bar. 'Keep that awhile for me, mister,' he said, chewing at the end of a virulent claybank cigar. 'I'll be back after I knock around a spell. And keep your eye on it, for there's $950 inside of it, though maybe you wouldn't think so to look at me.' Somewhere outside a phonograph struck up a band piece, and Haylocks was off for it, his coat-tail buttons flopping in the middle of his back. 'Divvy? Mike,' said the men hanging upon the bar, winking openly at one another. 'Honest, now,' said the bartender, kicking the valise to one side. 'You don't think I'd fall to that, do you? Anybody can see he ain't no jay. One of McAdoo's come-on squad, I guess. He's a shine if he made himself up. There ain't no parts of the country now where they dress like that since they run rural free delivery to Providence, Rhode Island. If he's got nine-fifty in that valise it's a ninety-eight-cent Waterbury that's stopped at ten minutes to ten.' When Haylocks had exhausted the resources of Mr. Edison to amuse he returned for his valise. And then down Broadway he gallivanted, culling the sights with his eager blue eyes. But still and evermore Broadway rejected him with curt glances and sardonic smiles. He was the oldest of the 'gags' that the city must endure. He was so flagrantly impossible, so ultra-rustic, so exaggerated beyond the most freakish products of the barnyard, the hayfield and the vaudeville stage, that he excited only weariness and suspicion. And the wisp of hay in his hair was so genuine, so fresh and redolent of the meadows, so clamorously rural, that even a shellgame man would have put up his peas and folded his table at the sight of it. Haylocks seated himself upon a flight of stone steps and once more exhumed his roll of yellow-backs from the valise. The outer one, a twenty, he shucked off and beckoned to a newsboy. 'Son,' said he, 'run somewhere and get this changed for me. I'm mighty nigh out of chicken feed; I guess you'll get a nickel if you'll hurry up.' A hurt look appeared through the dirt on the newsy's face. 'Aw, watchert'ink! G'wan and get yer funny bill changed yerself. Dey ain't no farm clothes yer got on. G'wan wit yer stage money.' On a corner lounged a keen-eyed steerer for a gamblinghouse. He saw Haylocks, and his expression suddenly grew cold and virtuous.

Knowingly, smilingly, the city crowds passed him by. They saw the raw stranger stand in the gutter and stretch his neck at the tall buildings. At this they ceased to smile, and even to look at him. It had been done so often. A few glanced at the antique valise to see what Coney 'attraction' or brand of chewing-gum he might be thus dinning into his memory. But for the most part he was ignored. Even the newsboys looked bored when he scampered like a circus clown out of the way of cabs and street-cars. At Eighth Avenue stood 'Bunco Harry,' with his dyed moustache and shiny, good-natured eyes. Harry was too good an artist not to be pained at the sight of an actor overdoing his part. He edged up to the countryman, who had stopped to open his mouth at a jewellery store window, and shook his head. 'Too thick, pal,' he said critically - 'too thick by a couple of inches.I don't know what your lay is; but you've got the properties on too thick. That hay, now - why, they don't even allow that on Proctor's circuit any more.' 'I don't understand you, mister,' said the green one. 'I'm not lookin' for any circus. I've just run down from Ulster County to look at the town, bein' that the hayin's over with. Gosh! but it's a whopper. I thought Poughkeepsie was some punkins; but this here town is five times as big.' 'Oh, well,' said 'Bunco Harry,' raising his eyebrows, 'I didn't mean to butt in. You don't have to tell. I thought you ought to tone down a little, so I tried to put you wise. Wish you success at your graft, whatever it is. Come and have a drink, anyhow.' 'I wouldn't mind having a glass of lager beer,' acknowledged the other. They went to a caféfrequented by men with smooth faces and shifty eyes, and sat at their drinks. 'I'm glad I come across you, mister,' said Haylocks. 'How'd you like to play a game or two of seven-up? I've got the keerds.' He fished them out of Noah's valise - a rare, inimitable deck, greasy with bacon suppers and grimy with the soil of cornfields. 'Bunco Harry' laughed loud and briefly. 'Not for me, sport,' he said firmly. 'I don't go against that make-up of yours for a cent. But I still say you've overdone it. The Reubs haven't dressed like that since '79. I doubt if you could work Brooklyn for a key-winding watch with that lay-out.' 'Oh, you needn't think I ain't got the money,' boasted Haylocks. He drew forth a tightly rolled mass or bills as large as a teacup, and laid it on the table. 'Got that for my share of grandmother's farm,' he announced. 'There's $950 in that roll. Thought I'd come into the city and look around for a likely business to go into.' 'Bunco Harry' took up the roll of money and looked at it with almost respect in his smiling eyes. 'I've seen worse,' he said critically. 'But you'll never do it in them clothes. You want to get light tan shoes and a black suit and a straw hat with a coloured band, and talk a good deal about Pittsburg and freight differentials, and drink sherry for breakfast in order to work off phony stuff like that.' 'What's his line?' asked two or three shifty-eyed men of 'Bunco Harry' after Haylocks had gathered up his impugned money and departed.

THE OTHER DAY a poet friend of mine, who has lived in close communication with nature all his life, wrote a poem and took it to an editor. It was a living pastoral, full of the genuine breath of the fields, the song of birds, and the pleasant chatter of trickling streams. When the poet called again to see about it, with hopes of a beefsteak dinner in his heart, it was handed back to him with the comment: 'Too artificial.' Several of us met over spaghetti and Dutchess County chianti, and swallowed indignation with the slippery forkfuls. And there we dug a pit for the editor. With us was Conant, a well-arrived writer of fiction - a man who had trod on asphalt all his life, and who had never looked upon bucolic scenes except with sensations of disgust from the windows of express trains. Conant wrote a poem and called it 'The Doe and the Brook.' It was a fine specimen of the kind of work you would expect from a poet who had strayed with Amaryllis only as far as the florist's windows, and whose sole ornithological discussion had been carried on with a waiter. Conant signed this poem, and we sent it to the same editor. But this has very little to do with the story. Just as the editor was reading the first line of the poem, on the next morning, a being stumbled off the West Shore ferryboat, and loped slowly up Forty-second Street. The invader was a young man with light blue eyes, a hanging lip, and hair the exact colour of the little orphan's (afterward discovered to be the earl's daughter) in one of Mr. Blaney's plays. His trousers were corduroy, his coat short-sleeved, with buttons in the middle of his back. One bootleg was outside the corduroys. You looked expectantly, though in vain, at his straw hat for ear-holes, its shape inaugurating the suspicion that it had been ravaged from a former equine possessor. In his hand was a valise - description of it is an impossible task; a Boston man would not have carried his lunch and law books to his office in it. And above one ear, in his hair, was a wisp of hay - the rustic's letter of credit, his badge of innocence, the last clinging touch of the Garden of Eden lingering to shame the goldbrick men.

The next day the doctor said to Sue: 'She's out of danger. You've won. Nutrition and care now - that's all.' And that afternoon Sue came to the bed where Johnsy lay, contentedly knitting a very blue and very useless woollen shoulder scarf, and put one arm around her, pillows and all. 'I have something to tell you, white mouse,' she said. 'Mr. Behrman died of pneumonia today in hospital. He was ill only two days. The janitor found him on the morning of the first day in his room downstairs helpless with pain. His shoes and clothing were wet through and icy cold. They couldn't imagine where he had been on such a dreadful night. And then they found a lantern, still lighted, and a ladder that had been dragged from its place, and some scattered brushes, and a palette with green and yellow colours mixed on it, and - look out the window, dear, at the last ivy leaf on the wall. Didn't you wonder why it never fluttered or moved when the wind blew? Ah, darling, it's Behrman's masterpiece - he painted it there the night that the last leaf fell.' Presently Thomas moved tentatively in his seat, and thoughtfully felt an abrasion or two on his knees and elbows. 'Say, Annie,' said he confidentially, 'maybe it's one of the last dreams of the booze, but I've a kind of a recollection of riding in an automobile with a swell guy that took me to a house full of eagles and arc lights. He fed me on biscuits and hot air, and then kicked me down the front steps. If it was the d t's, why am I so sore?' 'Shut up, you fool,' said Annie. 'If I could find that funny guy's house,' said Thomas, in conclusion, 'I'd go up there some day and punch his nose for him.'

'Pull it up! I want to see,' she ordered, in a whisper. Wearily Sue obeyed. But, lo! after the beating rain and fierce gusts of wind that had endured through the livelong night, there yet stood out against the brick wall one ivy leaf. It was the last on the vine. Still dark green near its stem, but with its serrated edges tinted with the yellow of dissolution and decay, it hung bravely from a branch some twenty feet above the ground. 'It is the last one,' said Johnsy. 'I thought it would surely fall during the night. I heard the wind. It will fall to-day, and I shall die at the same time.' 'Dear, dear!' said Sue, leaning her worn face down to the pillow; 'think of me, if you won't think of yourself. What would I do?' But Johnsy did not answer. The lonesomest thing in all the world is a soul when it is making ready to go on its mysterious, far journey. The fancy seemed to possess her more strongly as one by one the ties that bound her to friendship and to earth were loosed. The day wore away, and even through the twilight they could see the lone ivy leaf clinging to its stem against the wall. And then, with the coming of the night the north wind was again loosed, while the rain still beat against the windows and pattered down from the low Dutch eaves. When it was light enough Johnsy, the merciless, commanded that the shade be raised. The ivy leaf was still there. Johnsy lay for a long time looking at it. And then she called to Sue, who was stirring her chicken broth over the gas stove. 'I've been a bad girl, Sudie,' said Johnsy. 'Something has made that last leaf stay there to show me how wicked I was. It is a sin to want to die. You may bring me a little broth now, and some milk with a little port in it, and - no; bring me a hand-mirror first; and then pack some pillows about me, and I will sit up and watch you cook.' An hour later she said - 'Sudie, some day I hope to paint the Bay of Naples.' The doctor came in the afternoon, and Sue had an excuse to go into the hallway as he left. 'Even chances,' said the doctor, talking Sue's thin, shaking hand in his. 'With good nursing you'll win. And now I must see another case I have downstairs. Behrman, his name is -- some kind of an artist, I believe. Pneumonia, too. He is an old, weak man, and the attack is acute. There is no hope for him; but he goes to the hospital to-day to be made more comfortable.'

Old Behrman was a painter who lived on the ground floor beneath them. He was past sixty and had a Michael Angelo's Moses beard curling down from the head of a satyr along the body of an imp. Behrman was a failure in art. Forty years he had wielded the brush without getting near enough to touch the hem of his Mistress's robe. He had been always about to paint a masterpiece, but had never yet begun it. For several years he had painted nothing except now and then a daub in the line of commerce or advertising. He earned a little by serving as a model to those young artists in the colony who could not pay the price of a professional. He drank gin to excess, and still talked of his coming masterpiece. For the rest he was a fierce little old man, who scoffed terribly at softness in anyone, and who regarded himself as especial mastiff-in-waiting to protect the two young artists in the studio above. Sue found Behrman smelling strongly of juniper berries in his dimly-lighted den below. In one corner was a blank canvas on an easel that had been waiting there for twenty-five years to receive the first line of the masterpiece. She told him of Johnsy's fancy, and how she feared she would, indeed, light and fragile as a leaf herself, float away when her slight hold upon the world grew weaker. Old Behrman, with his red eyes plainly streaming, shouted his contempt and derision for such idiotic imaginings. 'Vass!' he cried. 'Is dere people in de world mit der foolishness to die because leafs dey drop off from a confounded vine? I haf not heard of such a thing. No, I vill not bose as a model for your fool hermit-dunderhead. Vy do you allow dot silly pusiness to come in der prain of her? Ach, dot poor little Miss Yohnsy.' 'She is very ill arid weak,' said Sue, 'and the fever has left her mind morbid and full of strange fancies. Very well, Mr. Behrman, if you do not care to pose for me, you needn't. But I think you are a horrid old - old flibberti-gibbet.' 'You are just like a woman!' yelled Behrman. 'Who said I vill not bose? Go on. I come mit you. For half an hour I haf peen trying to say dot I am ready to bose. Gott! dis is not any blace in which one so goot as Miss Yohnsy shall lie sick. Some day I vill baint a masterpiece, and ve shall all go avay. Gott! yes.' Johnsy was sleeping when they went upstairs. Sue pulled the shade down to the window-sill and motioned Behrman into the other room. In there they peered out the window fearfully at the ivy vine. Then they looked at each other for a moment without speaking. A persistent, cold rain was falling, mingled with snow. Behrman, in his old blue shirt, took his seat as the hermit-miner on an upturned kettle for a rock. When Sue awoke from an hour's sleep the next morning she found Johnsy with dull, wide-open eyes staring at the drawn green shade.

'What is it, dear?' asked Sue. 'Six,' said Johnsy, in almost a whisper. 'They're falling faster now. Three days ago there were almost a hundred. It made my head ache to count them. But now it's easy. There goes another one. There are only five left now.' 'Five what, dear? Tell your Sudie.' 'Leaves. On the ivy vine. When the last one falls I must go too. I've known that for three days. Didn't the doctor tell you?' 'Oh, I never heard of such nonsense,' complained Sue, with magnificent scorn. 'What have old ivy leaves to do with your getting well? And you used to love that vine so, you naughty girl. Don't be a goosey. Why, the doctor told me this morning that your chances for getting well real soon were - let's see exactly what he said - he said the chances were ten to one! Why, that's almost as good a chance as we have in New York when we ride on the street-cars or walk past a new building. Try to take some broth now, and let Sudie go back to her drawing, so she can sell the editor man with it, and buy port wine for her sick child, and porkchops for her greedy self.' 'You needn't get any more wine,' said Johnsy, keeping her eyes fixed out the window. 'There goes another. No, I don't want any broth. That leaves just four. I want to see the last one fall before it gets dark. Then I'll go too.' 'Johnsy, dear,' said Sue, bending over her, 'will you promise me to keep your eyes closed, and not look out of the window until I am done working? I must hand those drawings in by to-morrow. I need the light or I would draw the shade down.' 'Couldn't you draw in the other room?' asked Johnsy coldly. 'I'd rather be here by you,' said Sue. 'Besides, I don't want you to keep looking at those silly ivy leaves.' 'Tell me as soon as you have finished,' said Johnsy, closing her eyes, and lying white and still as a fallen statue, 'because I want to see the last one fall. I'm tired of waiting. I'm tired of thinking. I want to turn loose my hold on everything, and go sailing down, down, just like one of those poor, tired leaves.' 'Try to sleep,' said Sue. 'I must call Behrman up to be my model for the old hermit miner. I'll not be gone a minute. Don't try to move till I come back.'

'She has one chance in - let us say, ten,' he said, as he shook down the mercury in his clinical thermometer. 'And that chance is for her to want to live. This way people have of lining-up on the side of the undertaker makes the entire pharmacopœia look silly. Your little lady has made up her mind that she's not going to get well. Has she anything on her mind?' 'She - she wanted to paint the Bay of Naples some day,' said Sue. 'Paint? - bosh! Has she anything on her mind worth thinking about twice - a man, for instance?' 'A man?' said Sue, with a jews'-harp twang in her voice. 'Is a man worth - but, no, doctor; there is nothing of the kind.' 'Well, it is the weakness, then,' said the doctor. 'I will do all that science, so far as it may filter through my efforts, can accomplish. But whenever my patient begins to count the carriages in her funeral procession I subtract 50 per cent from the curative power of medicines. If you will get her to ask one question about the new winter styles in cloak sleeves I will promise you a one-in-five chance for her, instead of one in ten.' After the doctor had gone, Sue went into the workroom and cried a Japanese napkin to a pulp. Then she swaggered into Johnsy's room with her drawing-board, whistling ragtime. Johnsy lay, scarcely making a ripple under the bedclothes, with her face toward the window. Sue stopped whistling, thinking she was asleep. She arranged her board and began a pen-and-ink drawing to illustrate a magazine story. Young artists must pave their way to Art by drawing pictures for magazine stories that young authors write to pave their way to Literature. As Sue was sketching a pair of elegant horseshow riding trousers and a monocle on the figure of the hero, an Idaho cowboy, she heard a low sound, several times repeated. She went quickly to the bedside. Johnsy's eyes were open wide. She was looking out the window and counting - counting backward. 'Twelve,' she said, and a little later, 'eleven'; and then 'ten,' and 'nine'; and then 'eight' and 'seven,' almost together. Sue looked solicitously out the window. What was there to count? There was only a bare, dreary yard to be seen, and the blank side of the brick house twenty feet away. An old, old ivy vine, gnarled and decayed at the roots, climbed half-way up the brick wall. The cold breath of autumn had stricken its leaves from the vine until its skeleton branches clung, almost bare, to the crumbling bricks.